Dewey and Vygotzky on Art and Some Favorite Books on Aesthetics

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Aesthetics and the blind search for a cogent statement that would tie an aesthetic philosophy neatly in a bow are kind of Quixotic aspirations for me. However, I again search through Merleau-Ponty, Sontag, Adorno, etc…and learning theories…which always lead me to these two gentlemen.

“Apart from organs inherited from animal ancestry, ideas and purpose would be without a mechanism of realization…the intervention of consciousness adds regulation, power of selection, and redisposition…its intervention leads to the idea of art as a conscious idea- the greatest intellectual achievement in the history of humanity.” – Dewey, Art as Experience (1934)

“We shall never be able to understand the laws governing the feelings and emotions in a work of art without proper psychological investigation. It is also remarkable that the sociological studies of art are unable to completely explain the mechanics of a work of art.” – Lev Vygotzky, (1925)

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Favorite Books about (or regarding aspects of) Aesthetics:

  • Susan Sontag– So many…Against Interpretation, Regarding the Pain of Others, Illness as Metaphor, On Photography, Styles of Radical Will….and just endless short essays. I just bought a copy of the complete essays collection through the late 70s…brilliant collection.
  • Elaine Scarry’s On Beauty and Being Just…anything by Scarry is good, but this is focused on aesthetics and is really excellent.
  • Maurice Merleau-PontyPhenomenology of Perception, because of its expansive scope…and his radio lectures, The World of Perception, because it is simplified and easily digested.
  • John Dewey– Art as Experience- wonderful connection to his other work. If you are even remotely interested in perception and learning/interpretation, this book is kind of required reading.
  • Gerhard Richter– The Daily Practice of Painting (essays and interviews, etc.)
  • Francis Bacon, Interviewed by David Sylvester– Actually, this was kind of like my bible during a certain period of my 20s. Any interviews with David Sylvester are going to be amazing. These are definitely the most defining and honest he’s had with an artist. This goes way beyond art, though. It gets to the crux of what it means to be human and struggling with any form of creative act. The title is
  • Lev VygotzkyThe Psychology of Art…This little masterpiece (as well as most of his writing) wasn’t really available to the world until the last few decades. However, this book (1925), is way ahead of its time and builds a beautifully written narrative on what it means to perceive a work of art, what art represents for humanity, and what can be learned. Great education thinker.
  • Carolee SchneemanImaging Her Erotics…This is essays, interviews, etc. with one of the recognizable faces of body art/performance art/feminist art. Schneeman’s writing and discussions lead the way for great essays and books by Karen Finley (A Different Kind of Intimacy), Amelia Jones (Body Art/Performing the Subject), and Jane Blocker (What the Body Cost…which is one of those books that changes you…and Where is Ana Mendieta).
  • Recently, I am enjoying Tim Ingold’s anthropolical-based essays on creativity. These are available through a simple search. Almost everything is fun to read and starts my mental motor.
  • Getting back into T. Adorno’s Aesthetic Philosophy…the one he was writing when he died. This should be treated as a encyclopedia…at least for me, it is. I can’t start in that book in a normal way. I just pick it up, and where the pages fall open, that’s where I start reading.
  • KadinskyConcerning the Spiritual in Art. Awesome and tightly written…very unlike his own paintings, which are gorgeous and labyrinthian types of compositions.
  • Just another great book- Pamela M. Lee’s Object to be Destroyed (on the work of Gordon Matta-Clark….but, again, jumps into all kinds of a philosophy on aesthetics).

Not posting direct links to purchase these things. But, if you find any of the titles interesting, you’ll be doing yourself a huge favor in finding, borrowing, purchasing, or stealing a copy.

Some covers:

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This poem was written after a concert at the Stone during our honeymoon. We had taken a cab back to midtown, and there was a “supermoon” that evening. I was reading Paul Auster’s translations of Joubert’s writing at this time. The performers at the Stone were Ken Vandermark and Joe McPhee on clarinets, saxophones, and pocket trumpet. Later, she purchased the photographs of the event from Peter Gannushkin (http://blog.sonicbeet.com/ & http://www.linkedin.com/in/gannushkin), an amazing photographer who captures the music and the personalities of the evening perfectly.

East Village Evening (For Anna, 3-19-2011) with description

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East Village Evening (For Anna, 3-19-2011) with description

This poem was written after a concert at the Stone during our honeymoon. We had taken a cab back to midtown, and there was a “supermoon” that evening. I was reading Paul Auster’s translations of Joubert’s writing at this time. The performers at the Stone were Ken Vandermark and Joe McPhee on clarinets, saxophones, and pocket trumpet. Later, she purchased the photographs of the event from Peter Gannushkin (http://blog.sonicbeet.com/ & http://www.linkedin.com/in/gannushkin), an amazing photographer who captures the music and the personalities of the evening perfectly.